My work is best described as the definition
of a kid that grew up on video games and fantasy novels. What really pushed me into shooting photography
full time was a motorcycle crash. I got hit off my motorcycle, and when I hit
the ground, I was run over by a vehicle. I spent five days in the hospital, and I spent the next six months learning how to walk again.
I could have let that accident destroy me
but you can't do that because life doesn't stop when you stop. Photography was that one thing that I could do all the time, and it was the one thing where I wasn't in pain. It's one of the many reasons why I do a lot
of composite art work because I couldn't get anywhere. I had to be able to bring the world
to me.
Composite imagery is just taking multiple
shots that were taken at different locations and you are putting them together into one
piece. It can be very demanding. It is very complex.
There's elements of color, there's elements of texture, there's foreground and background, elements
of the pose, the expression. When I'm out shooting backgrounds, it's very
much about being in the moment and bringing myself through the artistic process.
It's really about seeing the potential of
what is in front of you. So, not seeing everything for what it is, but what it can be. I love being able to look at images that I
create in the studio like sculpting. When I'm in the studio, I have control.
It's
a little bit more sterile but in that it's very creative. When I create shots and create images, I look at it, and I work on it until I'm absolutely in love with it. It's this almost obsession.
You just have to open up your mind and let the image speak to you. For that moment and for those hours, I live
in that world, and I can do whatever I want.
I'm the master of my universe sitting in front
of the computer. Being able to communicate that through post-production is the ultimate drug. It's the ultimate high. I think the underlying theme of my images
is "leave no rock unturned." Try as many things as possible.
I just love to create images. I love photography.
It saved my life in so many ways, and I think the only justice that I can do is to explore
it as fully and as in depth as possible. Yeah, I still ride. I rebuilt the bike that
I crashed.
When I ride, nothing else exists. There's
just the present moment, the next curve, the next bend. It's very free, and it's the closest that I can get to flying without actually being in the air. I want to live my life in every facet possible.
And I know that whatever time I wind up leaving this world, that my little book of life is dented and scratched and absolutely crammed full of memories because I saw the world not for
what it was in the moment but for how amazing it could be. See Renee Robyn's photos and get tips for
creating epic digital art at www.Smugmug.Com/films/renee-robyn..
Sunday, February 25, 2018
Wednesday, February 21, 2018
Instantly Upon Engagement Decide on a Wedding Date-You Make These Wedding Mistakes?
Produce a Wedding Plan
Instantly Upon Engagement Decide on a Wedding Date-You Make These Wedding Mistakes?-Make a Wedding Plan-Instantly Upon Engagement Decide on a Wedding Date. There are people you really want in your wedding. Give them as much notice as possible that they should put aside the date for you. If the wedding will involve travel and an over-night stay for guests, it's important to make sure they know that as soon as possible. This will be helpful that you should get early feedback on who might not exactly have the ability to go to the wedding.
Set your financial budget
Your budget is the single biggest wedding decision to make after the decision to get married itself. Consider the range of projects you need or want to take on during your first year of marriage: honeymoon, buy a house, start a family, start or continue post-secondary education, buy a car, travel. Calculate the price of these projects. The wedding costs will compete with these other projects. Calculate the money you will have from all sources for the marriage and your other projects. This will help establish the maximum amount of money you can spend on the wedding. From this calculations, all other spending decisions about the wedding will follow. It's a terrible idea to borrow any money from any source for your wedding.
Select your bridal party.
There are hundreds of details engaged in planning the wedding and in getting through the wedding day. Your wedding party can be a huge help in managing these. Everything from RSVP tracking to obtaining the blossoms can and should be assigned. Can every member of the bridal party find the money for a bridesmaid's dress or a tuxedo? Is every member of the wedding party physically fit and fully developed enough to shoulder the tasks involved? Be aim.
Choose your theme. [modern, vintage, classic, rural, contemporary, etc . ]
It's your wedding. Within reason and the bounds of good taste you should have what you want regardless of who will pay a few of the expenses. Have trust in your own view and taste.
First Review & Planning Session
All the above should happen almost immediately. Once you square away these 4 foundations of your wedding, what follows are approximated time frames for everything to follow. Buy a binder, a hole punch and index tabs to accumulate & organize these details. Start a spread sheet to track all expenses. This is your wedding plan. Check it & revise it often.
Ceremony Area
Your caterer may have recommendations about where to hold your ceremony. You may have seen quite a location yourself. Since many couples no longer get married in a cathedral many reception locations have a "chapel" or an additional area for being married ceremony,. A wedding arc decorated with flowers can make a ceremony environment take condition almost anywhere you want. Will a botanical garden or public park permit ann arbor wedding photography? At what charge? What is Plan B in the event of rain?
Reception Location/Caterer
This choice will be a function of a number of things: how many friends you are having, how far they have to travel, what kind of wedding (cocktail, plated service, and so forth ), your budget and what you both like.
The number of weddings in almost any part of the country is greater than the number of available beautiful reception sites. This means competition for venues and rising prices in a seller's market. (It's called supply and demand). Will a venue permit an outdoor caterer? Is the outside caterer charged for permission to serve food there? Do they offer a kitchen that the caterer may use or will food be brought to the place already prepared hours before dinner? Will a kitchen have to be set up on site? Is the venue air conditioned? Does it have sufficient washrooms, coat check & racks with hangers, parking?
Photographer
Most photographers have a portfolio you can see to get a good idea of their style. Packages with a set price are a good idea in case you are not budget conscious. Give your photographer a copy of the wedding day schedule and make sure he/she can stick to it. Most delays at weddings are the result of a photographer who falls behind & aren't stop taking one more shot. You will delay all of those other wedding if you let the photographer take fee of the schedule. The guests will be waiting around.
Wedding Dress
Sometimes, wedding brides pick a wedding dress FIRST. But , more often, other factors such as theme, location, time of year and entertainment swing the dress decision. That might not exactly be your aspire to buy a wedding dress that someone else put on before but the potential cost savings are considerable. After all, you will wear this dress but once. However you will see it in pictures of the wedding for the relax of your life. You have a right be beautiful on your wedding day.
Wedding Flowers
Make sure you have a budget at heart before you see your florist. Packages are always available and a huge range in price, with regards to the type of flowers you select and the complexity of the arrangement. Produce a set of everyone who will need flowers that day so that you don't forget anyone. Are flowers to go on each guest stand, the head table, dressoir or other tables? In the event that the wedding will land on a property that your family owns, can the garden be planned a year before the wedding to coincide plant plants that bloom in time for the wedding?
Saturday, February 17, 2018
Digital Workflow
A well structured work flow is really important because not only will it help you keep tabs on where you've put your images it will also help you manage in which the way that you work through them, hence the word 'workflow'. Everybody's going to have their own preferred way of doing things, for example my friend and colleague Bella West showed me the way she did things, i adopted her system and then over time it kind of evolved and changed shape a bit to the way I like to do things. So what I'm going to do is to show you the way I do things and explain why I do them the way I do them, and may you make a few suggestions to how you might want to change the way I work to suit yourself. I've got some image files on here, on a flash card out of my camera which I will be loading in in a minute, but before we do that we've got to make a place to put them, we've got to create a workflow for those images to go into.
So if I. Open up the hard drive where I keep my image files you'll notice that everything has a
number followed by a name, this one here for example thatch cottage one two three six thatch cottage, its job number one two three six and the client is the thatch cottage restaurant, I need a file number because I do it for a living. If the thatch cottage were to phone up and say "Mike, I need a copy of image number one two three six fifty five" I don't know what that one is, er I can very quickly locate it. If they were to say "you know the plate of food you took a picture of by the kitchen you know it was quite nice with a flower on the table" Oh well I don't know which one they're talking about, so i need to do it according to a file
numbering system.
One, two, three, six, fifty five I think I said, Let's go and find it. In here you'll see there are some more folders, there's one called 'Negs' one called 'processing', one called 'proof' one's called 'thatched cottage raws' and then there's one here called 'finals' and that's where I put my final images. I'm just gonna go and see if I can locate that fifty five wasn't it? Fifty seven, fifty six, fifty five, there it is. So there is, one two three six fifty-five, It's a lovely delicious looking plate full of smoked salmon with filo pastry, mm.
Before we go and put our images off of the flash card onto the hard drive I need to make a folder for those images, let's do it. So I right click on here, new, folder, the next number in the sequence for me is one two three six, one two three six of the last one so one two three seven will be the next one. What's the job? It's workflow, so I use an under score and then workflow. You may wish to use this slightly different system for example you might
want to say uh...
I don't know, do it by date for example you might want to put uh... April two thousand and eleven, lake district because you shot some landscapes up there, or maybe you want to call it something like august two thousand and eleven, er weekend at the beach, or whatever it may be. You could put numbers before the date if you wanted, sort of double o one, double o two double o three so if you wanted to go back in time and then you'll kind of be able to find things probably a bit better, quicker and easier. Anyway inside here we need to put our Negs and Raws and finals folders and I have them preprepared in a folder here called 'folders'.
Imaginative ay. Inside there are those folders, there's nothing in them, they're empty, and just because I'm lazy and I'd rather copy and paste these into my job folder rather than keep creating them each time over and over and over again. Now we have a place to put them, so each plug-in the flash card and get the images of it, notice I don't use any specific download the software, because I know different cameras come with it and you can buy it, I just find it easier to do it this way using the computers own windows system or mac file browse or whatever it is called. Open up the folder with the pictures in on the flash card, there they are.
Notice these are all Jpegs, so therefore I'm gonna put them into the
'negs' folder. The raw folder in my workflow will be for raw files, if I shot raw files, I'd put the raw's into the raw files folder and then I'd go and edit them bin out the ones I don't want and then re-number them and then I'd process them into Jpegs but we're leaving that step out because I've put these directly in Jpegs to stop this film from becoming ridiculously long. Let's copy these Jpegs and I'm gonna put them into this one here called the negs folder, I call it negs because this is where I put my original image files. When i say original image files I mean they're gonna be Jpegs or tiffs or they might be Photoshop psd's, raw files are not original image files, they're more like a data file which you then convert into an image file later on.
More on that somewhere else. So let's assume that I've shot some raw's and I've converted them into Jpegs and I'd put them into the negs folder but in this case I'm going straight to negs, so I've just got some Jpegs here. The next thing i want to do is to sort them out, I've taken them from the camera, I've put them into a negs folder and I now want to edit them, I don't want to be working on image files that are out of focus or I don't like the composition or I think oh that's not very good, I want to edit them now before I start getting in to post production or any of that stuff. To do that I use a little program called breeze browser, let's start her up, here we go, there are many different types of uh...
File browser system, you could use something complex and uh... Like adobe bridge which a superb piece of software and you can add meta tag data to image files and all sorts of exciting things. I tend to use breeze browser a lot, it's a cheap piece of software but it works really well particularly if you're just
working with some Jpegs, it's very very fast and very very simple. Let's open this up and go and find our pictures.
So we go into my computer the D drive because that's where I keep them, business 'cause that's where i put my
image files because I do it for a living. Workflow folder there is I expand that and inside the negs folder, click okay, here's our pictures. You may notice that their old laying on
their side is because produce proof all sometimes the client
these parties you think about prices smaller images that all the same way
that will dot where or on their side, don't worry about that for the minute we're just going to take a look at the pictures and make sure that they're nice and sharp and I want them and that's quite nice but I like blue sky behind. I'm just quickly having a look to see what's what, that looks a little bit soft to me, aw no that's very soft, what I'm going to do is delete that, it's soft I don't want it, it's not sharp, it's pointless to keep it.
Let's say I'm going to keep all of those, I've done my edit, I've sorted out what I want there, oh and by the way I can also change the image order here, I might think oh actually I want to put that one up here, so I can drag that up to the top there like this and change the image order and put it up at the top, there we go. Now I'm gonna re-number them to suit the job number, so I just select them all, just shift click to select them all and I go to tools and I go batch rename, I've already got a little thing set up here so it's one, two, three, seven I've already typed it in earlier to save time. I want to, all of them as I've displayed them, remember I've changed the order so I'm gonna click this little thing here as displayed, and as you can see it's got a little list of the image files there, I think I must have missed one because yeah I've missed a few, look they weren't all there, let's do it again. There we go, that should have got them all, tools, batch rename, yeah that's got them all filed.
Here we go, I want them as displayed, that's the order I want them in, I want the first image number to be one, and I'm going to use three digits, reason is I rarely shoot more than hundreds of image, I don't usually go into the thousands, if I was then I'd have to change that to four digits. As you can see down here, this is the original file name and it's now going to change it into my numbered file name, all I. Have to do is click rename, and selected and look, all down here you can see it's changed these file numbers. Job done in breeze browser, that's all I use it for.
Now I, let's say I'm going to do a little bit of post production, I'm going to take one of these images, or all these images in fact and I'm going to go through them and tweak the colours and get the very best I can from the image file. First thing I'm going to do is open them up in Photoshop and there's lot's of ways of doing it, let's just pull Photoshop up, I use Photoshop because it's you know, it's the kind of brand image editing leader. Uh... There's different ways of opening them, you can go file open and then go and find them, but I'm lazy so I tend to just have my folder here with the image files in and then I just drag them in like that, and Photoshop will open them all up.
I'm not going to process all of these because you don't need to see me do it, I'm just gonna do one and I'm gonna choose one that I'm gonna do, I probably should have chose one I'm gonna do in breeze browser, I don't want that one, do I want that? I quite like that, that's short listed and not that one close, I don't want that one because I don't like the blue sky, It's between those two, uh... Let's go with that one there shall we. Right I'm just gonna quickly do the post-production so this isn't about post production, I'm just gonna turn that the right way so that I can see it easily. I use keyboard commands a lot as you might have noticed.
Lot's of blue in this because I did it in a hurry, and I didn't realise I had the camera on mongston white balance, I wasn't paying attention, so I need to edit out that nasty blue colour cast, it might be you have a colour cast for a different reason. How do we edit out a colour cast? Well we're going to bring up image, adjust, colour balance, obviously it's blue so we're gonna bring out the yellow, let's drag a bit of yellow into there and also the opposite of cyan is red, so we're going to shove a bit of red into it as well to get rid of the cyan, and do it to the highlights, I'm doing this really roughly and really quickly, I'm not giving a huge amount of care, I just wanna kind of get you seeing what I'm on about, If I do a preview, look it's gone from that blue to a much more pleasing kind of warmer summery sort of a colour, okay. I'm going to quickly check the levels, image, adjust, levels, just to see. Level is a great way of seeing how the contrast is doing, there's a histogram in there, and I'm quite happy with that I'm not going to change anything, so I'll say okay.
Next thing I want to do is to save it somewhere, I want it nice and safe. Now what I'm gonna do is to save it into my finals folder because that's where all my finally tweaked images would go. I normally lay things on their side but I'm not going to now, so it's save as, go up a level into the finals folder and save it, I'm not going to rename it, I'm just going to leave it as the same file name, the very fact that, that file name is in the finals folder that means it's done and it also means once I've done the
renumbering on the original images being Jpegs or raw files I never change that number ever ever again, even If through the processing I think no I don't like that, I'm going to delete it, I'll just leave a gap in the numbers I never rename after I've done it once because then I know everything is following on if that makes sense. If I make a mess of an image file then I can always go back to the original one, but if I've changed the file name I might get the wrong original.
Okay I can close that now, so I've done the post production I've saved it into the finals folder, lovely jubbly, job done. The last step in this would be suppose I was going to do some work on an image final and make a print, let's open up our little workflow of folders again. So the neg file, the raw file is where I put raw files before I process them into Jpegs or tiffs, Jpegs or tiffs they live in the next file, that's what I consider to be my negatives, because I am a bit old fashioned, I started this with film. Finals folder is where I put finished work, proofs folder is where I put proof images, little ones that I'm going to send to a client to have a look at.
You might even wanna rename that as Facebook images or something cause you've made some a little bit smaller so you can email them or upload them to Facebook. But suppose I want to make a print of a picture you'll notice I have a folder here called processing, this is where I work on things, I work on things in a processing folder because I don't want to risk messing them up. I don't want to mess up and original. So if I want to work on something and I'm gonna send something off to be printed, I'll go into the finals folder where I've done all of my tweaks, and I'm going to copy it, control-c and paste it into the processing folder, control-v.
Why am I doing this when I've done all of my final tweaks? Well the layout that I use I need to do a few little other things to it, to send it to that lab, different labs work in different ways. Paul williams down in Poole who's one of my printers, I can just send him the file straight from the finals folder, but in this case I'm not going to because I want to just resize it and send it to a different lab. Now I've got that into the processing folder and now I can't mess it up, I'm going to pop that into Photoshop, I haven't touched the original. I want a nice by six inch print so I'm gonna use my crop tool here and up here and in the options I've already done it nine inches by six inches at three hundred DPI.
My crop tool and now to make myself and image file that size, and I just do that and there we go it's done. Over here I have the things which I said I have to do to send an image of to my lab, I have to convert it to their custom colour profile and do a couple of other little fiddly thing's. I've made an action here, now the reason I wouldn't want to do this on one of my files is in case I saved it by accident in to the wrong place and I've just stuffed up the on I've done and all of the post production work on. If I stuff it up and it's in the processing folder It doesn't really matter then does it? I can just delete it and go and get the one from the finals folder again.
Let's apply the stuff that I need to send it to pro imagining there we go job done. That's ready for printing and then I go save as, file, save as, and this is the last place in the
workflow puzzle, I've gone back up to the top level, I've come out of my workflow folder and back into the hard drive, you see here I've got one called print order, this is where i have folders already
setup with different sizes ready for me to send an image off to be
printed. So, If I open that up there we go, and I'll save it in there and you may notice that there was a file already in there with that file number, and that's because I stuffed up earlier on, and we had to do this on take two, but I'm not going to go into that again. There we go, I've saved it into there, I can now close that, I can now close Photoshop, actually I'll put it on the other monitor, I use two monitors as you know.
Pop that back over there where it belongs,let's close down Photoshop. This image file which is now in the processing folder, which is the one that I've just worked on, I don't want it any more, I'm gonna delete it. Jpegs don't like being saved very often so I always make sure I close things down and delete them behind me. I go and look into my print order folder down here and go in the six by nine folder here, you'll see there's my image file.
The one of which I'm sending in the email to have a print made, there's two in there because as I say, I stuffed up, but it doesn't really matter because you get the idea, and that will now be sent of to the lab and when I get the print back I can delete that out of there as well provided I remember. So I hope that helps. The workflow for me is I. Give it a number and then inside i have the different
folders for where I'm working.
Raws for raws and then negs for Jpegs, tiffs or psd's and then when I've got what ever work I'm going to do on that, and they're finalized, I put them into the finals
folder. If I'm going to any work on them then I might want to make a composite image or I might want to do something a little bit fiddly. I'll work on that in the processing folder but on a copy, not on an original and then when i send stuff off to be
printed I have print order folder, where I have all the different image size files there ready to send them off to the lab. So there we go, that's how I use workflow, I hope that's helped and I hope you've got your head around it and I hope it will all explain a bit about what workflow is and you can take
away some of this and use it for yourself..
So if I. Open up the hard drive where I keep my image files you'll notice that everything has a
number followed by a name, this one here for example thatch cottage one two three six thatch cottage, its job number one two three six and the client is the thatch cottage restaurant, I need a file number because I do it for a living. If the thatch cottage were to phone up and say "Mike, I need a copy of image number one two three six fifty five" I don't know what that one is, er I can very quickly locate it. If they were to say "you know the plate of food you took a picture of by the kitchen you know it was quite nice with a flower on the table" Oh well I don't know which one they're talking about, so i need to do it according to a file
numbering system.
One, two, three, six, fifty five I think I said, Let's go and find it. In here you'll see there are some more folders, there's one called 'Negs' one called 'processing', one called 'proof' one's called 'thatched cottage raws' and then there's one here called 'finals' and that's where I put my final images. I'm just gonna go and see if I can locate that fifty five wasn't it? Fifty seven, fifty six, fifty five, there it is. So there is, one two three six fifty-five, It's a lovely delicious looking plate full of smoked salmon with filo pastry, mm.
Before we go and put our images off of the flash card onto the hard drive I need to make a folder for those images, let's do it. So I right click on here, new, folder, the next number in the sequence for me is one two three six, one two three six of the last one so one two three seven will be the next one. What's the job? It's workflow, so I use an under score and then workflow. You may wish to use this slightly different system for example you might
want to say uh...
I don't know, do it by date for example you might want to put uh... April two thousand and eleven, lake district because you shot some landscapes up there, or maybe you want to call it something like august two thousand and eleven, er weekend at the beach, or whatever it may be. You could put numbers before the date if you wanted, sort of double o one, double o two double o three so if you wanted to go back in time and then you'll kind of be able to find things probably a bit better, quicker and easier. Anyway inside here we need to put our Negs and Raws and finals folders and I have them preprepared in a folder here called 'folders'.
Imaginative ay. Inside there are those folders, there's nothing in them, they're empty, and just because I'm lazy and I'd rather copy and paste these into my job folder rather than keep creating them each time over and over and over again. Now we have a place to put them, so each plug-in the flash card and get the images of it, notice I don't use any specific download the software, because I know different cameras come with it and you can buy it, I just find it easier to do it this way using the computers own windows system or mac file browse or whatever it is called. Open up the folder with the pictures in on the flash card, there they are.
Notice these are all Jpegs, so therefore I'm gonna put them into the
'negs' folder. The raw folder in my workflow will be for raw files, if I shot raw files, I'd put the raw's into the raw files folder and then I'd go and edit them bin out the ones I don't want and then re-number them and then I'd process them into Jpegs but we're leaving that step out because I've put these directly in Jpegs to stop this film from becoming ridiculously long. Let's copy these Jpegs and I'm gonna put them into this one here called the negs folder, I call it negs because this is where I put my original image files. When i say original image files I mean they're gonna be Jpegs or tiffs or they might be Photoshop psd's, raw files are not original image files, they're more like a data file which you then convert into an image file later on.
More on that somewhere else. So let's assume that I've shot some raw's and I've converted them into Jpegs and I'd put them into the negs folder but in this case I'm going straight to negs, so I've just got some Jpegs here. The next thing i want to do is to sort them out, I've taken them from the camera, I've put them into a negs folder and I now want to edit them, I don't want to be working on image files that are out of focus or I don't like the composition or I think oh that's not very good, I want to edit them now before I start getting in to post production or any of that stuff. To do that I use a little program called breeze browser, let's start her up, here we go, there are many different types of uh...
File browser system, you could use something complex and uh... Like adobe bridge which a superb piece of software and you can add meta tag data to image files and all sorts of exciting things. I tend to use breeze browser a lot, it's a cheap piece of software but it works really well particularly if you're just
working with some Jpegs, it's very very fast and very very simple. Let's open this up and go and find our pictures.
So we go into my computer the D drive because that's where I keep them, business 'cause that's where i put my
image files because I do it for a living. Workflow folder there is I expand that and inside the negs folder, click okay, here's our pictures. You may notice that their old laying on
their side is because produce proof all sometimes the client
these parties you think about prices smaller images that all the same way
that will dot where or on their side, don't worry about that for the minute we're just going to take a look at the pictures and make sure that they're nice and sharp and I want them and that's quite nice but I like blue sky behind. I'm just quickly having a look to see what's what, that looks a little bit soft to me, aw no that's very soft, what I'm going to do is delete that, it's soft I don't want it, it's not sharp, it's pointless to keep it.
Let's say I'm going to keep all of those, I've done my edit, I've sorted out what I want there, oh and by the way I can also change the image order here, I might think oh actually I want to put that one up here, so I can drag that up to the top there like this and change the image order and put it up at the top, there we go. Now I'm gonna re-number them to suit the job number, so I just select them all, just shift click to select them all and I go to tools and I go batch rename, I've already got a little thing set up here so it's one, two, three, seven I've already typed it in earlier to save time. I want to, all of them as I've displayed them, remember I've changed the order so I'm gonna click this little thing here as displayed, and as you can see it's got a little list of the image files there, I think I must have missed one because yeah I've missed a few, look they weren't all there, let's do it again. There we go, that should have got them all, tools, batch rename, yeah that's got them all filed.
Here we go, I want them as displayed, that's the order I want them in, I want the first image number to be one, and I'm going to use three digits, reason is I rarely shoot more than hundreds of image, I don't usually go into the thousands, if I was then I'd have to change that to four digits. As you can see down here, this is the original file name and it's now going to change it into my numbered file name, all I. Have to do is click rename, and selected and look, all down here you can see it's changed these file numbers. Job done in breeze browser, that's all I use it for.
Now I, let's say I'm going to do a little bit of post production, I'm going to take one of these images, or all these images in fact and I'm going to go through them and tweak the colours and get the very best I can from the image file. First thing I'm going to do is open them up in Photoshop and there's lot's of ways of doing it, let's just pull Photoshop up, I use Photoshop because it's you know, it's the kind of brand image editing leader. Uh... There's different ways of opening them, you can go file open and then go and find them, but I'm lazy so I tend to just have my folder here with the image files in and then I just drag them in like that, and Photoshop will open them all up.
I'm not going to process all of these because you don't need to see me do it, I'm just gonna do one and I'm gonna choose one that I'm gonna do, I probably should have chose one I'm gonna do in breeze browser, I don't want that one, do I want that? I quite like that, that's short listed and not that one close, I don't want that one because I don't like the blue sky, It's between those two, uh... Let's go with that one there shall we. Right I'm just gonna quickly do the post-production so this isn't about post production, I'm just gonna turn that the right way so that I can see it easily. I use keyboard commands a lot as you might have noticed.
Lot's of blue in this because I did it in a hurry, and I didn't realise I had the camera on mongston white balance, I wasn't paying attention, so I need to edit out that nasty blue colour cast, it might be you have a colour cast for a different reason. How do we edit out a colour cast? Well we're going to bring up image, adjust, colour balance, obviously it's blue so we're gonna bring out the yellow, let's drag a bit of yellow into there and also the opposite of cyan is red, so we're going to shove a bit of red into it as well to get rid of the cyan, and do it to the highlights, I'm doing this really roughly and really quickly, I'm not giving a huge amount of care, I just wanna kind of get you seeing what I'm on about, If I do a preview, look it's gone from that blue to a much more pleasing kind of warmer summery sort of a colour, okay. I'm going to quickly check the levels, image, adjust, levels, just to see. Level is a great way of seeing how the contrast is doing, there's a histogram in there, and I'm quite happy with that I'm not going to change anything, so I'll say okay.
Next thing I want to do is to save it somewhere, I want it nice and safe. Now what I'm gonna do is to save it into my finals folder because that's where all my finally tweaked images would go. I normally lay things on their side but I'm not going to now, so it's save as, go up a level into the finals folder and save it, I'm not going to rename it, I'm just going to leave it as the same file name, the very fact that, that file name is in the finals folder that means it's done and it also means once I've done the
renumbering on the original images being Jpegs or raw files I never change that number ever ever again, even If through the processing I think no I don't like that, I'm going to delete it, I'll just leave a gap in the numbers I never rename after I've done it once because then I know everything is following on if that makes sense. If I make a mess of an image file then I can always go back to the original one, but if I've changed the file name I might get the wrong original.
Okay I can close that now, so I've done the post production I've saved it into the finals folder, lovely jubbly, job done. The last step in this would be suppose I was going to do some work on an image final and make a print, let's open up our little workflow of folders again. So the neg file, the raw file is where I put raw files before I process them into Jpegs or tiffs, Jpegs or tiffs they live in the next file, that's what I consider to be my negatives, because I am a bit old fashioned, I started this with film. Finals folder is where I put finished work, proofs folder is where I put proof images, little ones that I'm going to send to a client to have a look at.
You might even wanna rename that as Facebook images or something cause you've made some a little bit smaller so you can email them or upload them to Facebook. But suppose I want to make a print of a picture you'll notice I have a folder here called processing, this is where I work on things, I work on things in a processing folder because I don't want to risk messing them up. I don't want to mess up and original. So if I want to work on something and I'm gonna send something off to be printed, I'll go into the finals folder where I've done all of my tweaks, and I'm going to copy it, control-c and paste it into the processing folder, control-v.
Why am I doing this when I've done all of my final tweaks? Well the layout that I use I need to do a few little other things to it, to send it to that lab, different labs work in different ways. Paul williams down in Poole who's one of my printers, I can just send him the file straight from the finals folder, but in this case I'm not going to because I want to just resize it and send it to a different lab. Now I've got that into the processing folder and now I can't mess it up, I'm going to pop that into Photoshop, I haven't touched the original. I want a nice by six inch print so I'm gonna use my crop tool here and up here and in the options I've already done it nine inches by six inches at three hundred DPI.
My crop tool and now to make myself and image file that size, and I just do that and there we go it's done. Over here I have the things which I said I have to do to send an image of to my lab, I have to convert it to their custom colour profile and do a couple of other little fiddly thing's. I've made an action here, now the reason I wouldn't want to do this on one of my files is in case I saved it by accident in to the wrong place and I've just stuffed up the on I've done and all of the post production work on. If I stuff it up and it's in the processing folder It doesn't really matter then does it? I can just delete it and go and get the one from the finals folder again.
Let's apply the stuff that I need to send it to pro imagining there we go job done. That's ready for printing and then I go save as, file, save as, and this is the last place in the
workflow puzzle, I've gone back up to the top level, I've come out of my workflow folder and back into the hard drive, you see here I've got one called print order, this is where i have folders already
setup with different sizes ready for me to send an image off to be
printed. So, If I open that up there we go, and I'll save it in there and you may notice that there was a file already in there with that file number, and that's because I stuffed up earlier on, and we had to do this on take two, but I'm not going to go into that again. There we go, I've saved it into there, I can now close that, I can now close Photoshop, actually I'll put it on the other monitor, I use two monitors as you know.
Pop that back over there where it belongs,let's close down Photoshop. This image file which is now in the processing folder, which is the one that I've just worked on, I don't want it any more, I'm gonna delete it. Jpegs don't like being saved very often so I always make sure I close things down and delete them behind me. I go and look into my print order folder down here and go in the six by nine folder here, you'll see there's my image file.
The one of which I'm sending in the email to have a print made, there's two in there because as I say, I stuffed up, but it doesn't really matter because you get the idea, and that will now be sent of to the lab and when I get the print back I can delete that out of there as well provided I remember. So I hope that helps. The workflow for me is I. Give it a number and then inside i have the different
folders for where I'm working.
Raws for raws and then negs for Jpegs, tiffs or psd's and then when I've got what ever work I'm going to do on that, and they're finalized, I put them into the finals
folder. If I'm going to any work on them then I might want to make a composite image or I might want to do something a little bit fiddly. I'll work on that in the processing folder but on a copy, not on an original and then when i send stuff off to be
printed I have print order folder, where I have all the different image size files there ready to send them off to the lab. So there we go, that's how I use workflow, I hope that's helped and I hope you've got your head around it and I hope it will all explain a bit about what workflow is and you can take
away some of this and use it for yourself..
Friday, February 9, 2018
Digital Photography Scavenger Hunt - HOW TO
Here's a digital photography game you can play anywhere. Find and capture the following five images. Number one: Forced perspective is an optical illusion to make an object appear farther away, closer, larger or smaller than it really is. Number two: Action! Capture an image of something while it's in motion.
It's okay if your shot is blurry. That could be interesting! Number three: Faces in places. There are imaginary faces everywhere! Find and capture faces of your own. Number four: Find repeating patterns.
You know, like the bricks on this house. Number five: Hey! Show off! What are you making? Terah's making a well balanced breakfast out of paper. Right! Good job! Now, with your parent's permission, share your photos on our Instagram and our Facebook page. Oh! Feel free to download our worksheet, so you can take it with you when you go hunting! Lastly, please subscribe and tell your friends! Thank you for watching ARTtv! [Music].
It's okay if your shot is blurry. That could be interesting! Number three: Faces in places. There are imaginary faces everywhere! Find and capture faces of your own. Number four: Find repeating patterns.
You know, like the bricks on this house. Number five: Hey! Show off! What are you making? Terah's making a well balanced breakfast out of paper. Right! Good job! Now, with your parent's permission, share your photos on our Instagram and our Facebook page. Oh! Feel free to download our worksheet, so you can take it with you when you go hunting! Lastly, please subscribe and tell your friends! Thank you for watching ARTtv! [Music].
Thursday, February 1, 2018
Digital Photography 1 on 1 Episode 42 High Key & Low Key Lighting Adorama Photography TV
[Intro music] Announcer: You're watching Adorama TV. Mark Wallace: Hi everybody, welcome to this
week's episode of Adorama TV. Recently we did a show on "Digital Photography One on
One," all about macro photography, and we promised that we'd be talking about some of
the gear that we used in that episode. We're going to start that with this week's Adorama
TV.
We have so much gear to talk about that we
can't fit it all into one episode. So this week we're going to be talking about some
lenses and flashes specifically for Canon cameras. Next week we'll be talking about
the Nikon equivalents. This week we're going to start out first with
some lenses to take a look at.
On the left-hand side here I have this. This is a 100mm macro
lens. This guy is a phenomenal lens. It's a 2.8 Lens.
It runs about $500. It's got some
switches on the side that allow you to select auto focus, manual focus, and then also focusing
distance. The nice thing about this lens is the focus
is pretty darn fast. So I was able to shoot with this lens and really dial in quickly
on things that were moving, like flowers and bugs and stuff like that, that if you don't
get them focused really quickly, they're going to be out of the scene.
Another lens that we tried was the 100mm macro.
This is the L lens. Now, this one is very similar to this other 100mm lens. The difference
is the glass is a little bit different inside. It also has some image stabilization built
in.
So this one focuses a little bit faster than its counterpart. But the price difference
is a little bit larger as well. This one is about $1,000. This one is about
$500.
Both lenses behave really, really stellar. The focus is a little bit faster on this.
Then the sharpness on the lenses, obviously the L lens has little bit sharper images than
the consumer lens. Let's talk a little bit about some flashes,
because there are two options that we looked at. I really, really liked both of them.
So
let me start with the pack here. I'm going to just go ahead and slide this onto my camera
here. Both of the flashes that we're going to be
talking about mount basically the same way. You slide the pack onto the camera, onto the
hot shoe.
Then the flash itself just mounts to the end of your lens. That puts the flash
really, really close to your subject. Then it allows you to do all kinds of things. We're
going to talk about the differences in the flash itself in a second.
But first let's take a look at the pack. I'm
going to spin this around here so you can see this. When I turn it on, this pack is
very similar to something you might see with the 550EX or a 580EX II. So if you're familiar
with Speedlites, these are going to be very, very comfortable for you.
They have all the
standard modes. So you have ETTL. So the flash is going to do all of your exposure
for you. You can then go in and hit select here.
You can do overexposure or compensation.
Exposure compensation, you have that there. You also have hi-speed sync. You have rear
curtain sync. So, you've got that.
You've got manual mode, if you need to do that. Also, with these flashes you have something
called ratio control. If I hit the ratio button, you'll see that there's an A and a B. What
that allows you to do on the front -- and I'll show you this in a second -- there are
two different sides to each of these flashes.
You can make one brighter or the other one
brighter. You can really control how the light looks on your subject. Then if you really want to get fancy, you
can hit this ratio control one more time and you see that there is a C, as in Charlie,
that shows up. What that allows you to do is to control an external Speedlite.
You could
actually control three different zones. You can have the lights from your flash coming
right off of the lens. Then you could add a third or fourth or fifth, all in the same
zone, and control those from here. The way this works is -- I'll just put it
on the A and B ratio.
To get over to the A. You just push this button, and it goes more
to that side. Or back to B, it goes more to that side. Then for C you actually have to
go in and dial that up or down that way.
So it's A and B, and then C is a zone all in
of itself. Then you can also change the channel, so you can have different zones. You won't
be able to interfere with somebody else if they're shooting. That's how that works.
It's
very, very familiar. If you're familiar with the 580 or 550, this is going to work just
fine for you. You have custom functions as well. That's the body.
The head of these -- there are two different
heads. Let me talk to you about both of these really quickly. First thing to note is that
on the L lens, the 100mm L lens, these won't mount directly to the lens, because the lens
is not the right size. So you'll need to get a little adapter.
This adapter is about $35.
So if you do have the L lens, make sure you order the adapter when you get one of these
flashes. Then that just screws right to the end of the lens here. Once you have that on, either one of these
macro Speedlites will mount right onto this lens. I'll go ahead and mount this guy up
here.
It just, sort of, snaps on there. Then the body goes right onto the camera body,
just like that. If you look at these really close, you can see that this one looks like
a Star Wars TIE Fighter, and this looks like something else. It looks like a normal ring
flash you'd see in the studio.
They behave a little bit differently. Let me start over here with this macro ring
light. What this does, it provides you with a very soft light, a really close range, and
you can control each side of this ring light. This side is zone A.
This side is zone B.
So you can make one side brighter or dimmer. Then there are these two little lamps right
here. On the back, on the body, there's actually a little lamp button. When you push that,
these guys illuminate.
That will help you focus if you're in low light. It also will
help you understand where the light is falling. That's what that lamp is for. Then once you
take a photo, those lamps turn off.
So you don't accidentally drain the battery of your
ring flash. Now, this guy I've used quite a bit. We were
able to take some pictures of bugs and other things. It was really, really simple to use
and a lot of fun.
You just sort of forget that there's a flash on there. It's one of
those kinds of situations, with this lens and flash, you just get out there, and you
just forget about all the technical stuff and shoot, and you're going to get great pictures. This is a great kit. Either one of these lenses
and either one of these flashes, I've tried them both.
I had so much fun that the staff
here had to tell me to stop taking pictures so we could make videos. Let me tell you about this guy right here.
This is the 24EX. It's a little bit different. The difference is that these are two different
lights here.
What you can do is slide these on and off. This also has a -20 thread
on the bottom, each of these do. This gives you a lot more flexibility. You can position
this just about anywhere you want.
Or you can put it right here on this mount that goes
on the ring of the lens. Then on that you can adjust these up or down.
Then you also have control over the ratio of the A and B as well. You can control it
just like you can with a ring flash. But it's a little bit different because you can take
these off and position them all over the place.
Then the body is the same. So you can have
your ratios. You can control another group of external flashes if you want. Then these
guys are really nice because you can put filters on them.
You can bounce them. You can do all
kinds of stuff. So if you really wanted to maybe put something behind a flower, in front
of the flower, handhold this, get an assistant, you can have all of that flexibility with
this system. Whereas this one is, pretty much, stuck on
the end of your lens.
So that's really the only difference. The other thing is you can
put these in and out like this. So again, you can bounce these and add light. So you have a lot more control with this guy,
which is the 24EX, than you do with this one, which is the 14EX.
But once again, I played
with both of these, and both of them were just so easy to use that I didn't really think
too much about the flash. I just got out there and started shooting and had a lot of fun.
This guy is about $730. This one is just under $500. There is a price difference between
these.
But again, this one has a lot more options for controlling the light than the
ring light does. So there you have it -- two different flashes,
two different lenses. I tried all of them. Really, honestly, I had so much fun shooting
with both of these setups.
I was mixing and matching. I just forgot about the gear and
focused on the photos and had a lot of fun. So I recommend any of this stuff. If you're
just starting out, you might want to go with the 100mm consumer lens and this ring light.
If you really want total control or you're doing professional work, then I recommend
the L lens and the 24EX so you have a little bit more control over your light.
So there
you have it. Remember, next week we're going to be talking
about the Nikon version of all of this stuff. So please stay tuned. And remember, if you
have questions about photography or photography related gear, you can send that to me at askmark@adorama.Com.
As always, we have all kinds of stuff posted to the Adorama Learning Center.
So if you
want to know more about macro photography or other types of photography, check out the
learning center for all the information. Thanks for joining me, and I'll see you next
week. Announcer: This episode is brought to you
by Adorama TV. Visit the Adorama Learning Center where you'll find photography tips
and techniques, links to the gear used in this episode, and related videos.
For all
the latest photography, video, and computer gear visit adorama.Com. And the next time
you're in New York City visit our store located on 18th Street between 5th and 6th Avenue..
week's episode of Adorama TV. Recently we did a show on "Digital Photography One on
One," all about macro photography, and we promised that we'd be talking about some of
the gear that we used in that episode. We're going to start that with this week's Adorama
TV.
We have so much gear to talk about that we
can't fit it all into one episode. So this week we're going to be talking about some
lenses and flashes specifically for Canon cameras. Next week we'll be talking about
the Nikon equivalents. This week we're going to start out first with
some lenses to take a look at.
On the left-hand side here I have this. This is a 100mm macro
lens. This guy is a phenomenal lens. It's a 2.8 Lens.
It runs about $500. It's got some
switches on the side that allow you to select auto focus, manual focus, and then also focusing
distance. The nice thing about this lens is the focus
is pretty darn fast. So I was able to shoot with this lens and really dial in quickly
on things that were moving, like flowers and bugs and stuff like that, that if you don't
get them focused really quickly, they're going to be out of the scene.
Another lens that we tried was the 100mm macro.
This is the L lens. Now, this one is very similar to this other 100mm lens. The difference
is the glass is a little bit different inside. It also has some image stabilization built
in.
So this one focuses a little bit faster than its counterpart. But the price difference
is a little bit larger as well. This one is about $1,000. This one is about
$500.
Both lenses behave really, really stellar. The focus is a little bit faster on this.
Then the sharpness on the lenses, obviously the L lens has little bit sharper images than
the consumer lens. Let's talk a little bit about some flashes,
because there are two options that we looked at. I really, really liked both of them.
So
let me start with the pack here. I'm going to just go ahead and slide this onto my camera
here. Both of the flashes that we're going to be
talking about mount basically the same way. You slide the pack onto the camera, onto the
hot shoe.
Then the flash itself just mounts to the end of your lens. That puts the flash
really, really close to your subject. Then it allows you to do all kinds of things. We're
going to talk about the differences in the flash itself in a second.
But first let's take a look at the pack. I'm
going to spin this around here so you can see this. When I turn it on, this pack is
very similar to something you might see with the 550EX or a 580EX II. So if you're familiar
with Speedlites, these are going to be very, very comfortable for you.
They have all the
standard modes. So you have ETTL. So the flash is going to do all of your exposure
for you. You can then go in and hit select here.
You can do overexposure or compensation.
Exposure compensation, you have that there. You also have hi-speed sync. You have rear
curtain sync. So, you've got that.
You've got manual mode, if you need to do that. Also, with these flashes you have something
called ratio control. If I hit the ratio button, you'll see that there's an A and a B. What
that allows you to do on the front -- and I'll show you this in a second -- there are
two different sides to each of these flashes.
You can make one brighter or the other one
brighter. You can really control how the light looks on your subject. Then if you really want to get fancy, you
can hit this ratio control one more time and you see that there is a C, as in Charlie,
that shows up. What that allows you to do is to control an external Speedlite.
You could
actually control three different zones. You can have the lights from your flash coming
right off of the lens. Then you could add a third or fourth or fifth, all in the same
zone, and control those from here. The way this works is -- I'll just put it
on the A and B ratio.
To get over to the A. You just push this button, and it goes more
to that side. Or back to B, it goes more to that side. Then for C you actually have to
go in and dial that up or down that way.
So it's A and B, and then C is a zone all in
of itself. Then you can also change the channel, so you can have different zones. You won't
be able to interfere with somebody else if they're shooting. That's how that works.
It's
very, very familiar. If you're familiar with the 580 or 550, this is going to work just
fine for you. You have custom functions as well. That's the body.
The head of these -- there are two different
heads. Let me talk to you about both of these really quickly. First thing to note is that
on the L lens, the 100mm L lens, these won't mount directly to the lens, because the lens
is not the right size. So you'll need to get a little adapter.
This adapter is about $35.
So if you do have the L lens, make sure you order the adapter when you get one of these
flashes. Then that just screws right to the end of the lens here. Once you have that on, either one of these
macro Speedlites will mount right onto this lens. I'll go ahead and mount this guy up
here.
It just, sort of, snaps on there. Then the body goes right onto the camera body,
just like that. If you look at these really close, you can see that this one looks like
a Star Wars TIE Fighter, and this looks like something else. It looks like a normal ring
flash you'd see in the studio.
They behave a little bit differently. Let me start over here with this macro ring
light. What this does, it provides you with a very soft light, a really close range, and
you can control each side of this ring light. This side is zone A.
This side is zone B.
So you can make one side brighter or dimmer. Then there are these two little lamps right
here. On the back, on the body, there's actually a little lamp button. When you push that,
these guys illuminate.
That will help you focus if you're in low light. It also will
help you understand where the light is falling. That's what that lamp is for. Then once you
take a photo, those lamps turn off.
So you don't accidentally drain the battery of your
ring flash. Now, this guy I've used quite a bit. We were
able to take some pictures of bugs and other things. It was really, really simple to use
and a lot of fun.
You just sort of forget that there's a flash on there. It's one of
those kinds of situations, with this lens and flash, you just get out there, and you
just forget about all the technical stuff and shoot, and you're going to get great pictures. This is a great kit. Either one of these lenses
and either one of these flashes, I've tried them both.
I had so much fun that the staff
here had to tell me to stop taking pictures so we could make videos. Let me tell you about this guy right here.
This is the 24EX. It's a little bit different. The difference is that these are two different
lights here.
What you can do is slide these on and off. This also has a -20 thread
on the bottom, each of these do. This gives you a lot more flexibility. You can position
this just about anywhere you want.
Or you can put it right here on this mount that goes
on the ring of the lens. Then on that you can adjust these up or down.
Then you also have control over the ratio of the A and B as well. You can control it
just like you can with a ring flash. But it's a little bit different because you can take
these off and position them all over the place.
Then the body is the same. So you can have
your ratios. You can control another group of external flashes if you want. Then these
guys are really nice because you can put filters on them.
You can bounce them. You can do all
kinds of stuff. So if you really wanted to maybe put something behind a flower, in front
of the flower, handhold this, get an assistant, you can have all of that flexibility with
this system. Whereas this one is, pretty much, stuck on
the end of your lens.
So that's really the only difference. The other thing is you can
put these in and out like this. So again, you can bounce these and add light. So you have a lot more control with this guy,
which is the 24EX, than you do with this one, which is the 14EX.
But once again, I played
with both of these, and both of them were just so easy to use that I didn't really think
too much about the flash. I just got out there and started shooting and had a lot of fun.
This guy is about $730. This one is just under $500. There is a price difference between
these.
But again, this one has a lot more options for controlling the light than the
ring light does. So there you have it -- two different flashes,
two different lenses. I tried all of them. Really, honestly, I had so much fun shooting
with both of these setups.
I was mixing and matching. I just forgot about the gear and
focused on the photos and had a lot of fun. So I recommend any of this stuff. If you're
just starting out, you might want to go with the 100mm consumer lens and this ring light.
If you really want total control or you're doing professional work, then I recommend
the L lens and the 24EX so you have a little bit more control over your light.
So there
you have it. Remember, next week we're going to be talking
about the Nikon version of all of this stuff. So please stay tuned. And remember, if you
have questions about photography or photography related gear, you can send that to me at askmark@adorama.Com.
As always, we have all kinds of stuff posted to the Adorama Learning Center.
So if you
want to know more about macro photography or other types of photography, check out the
learning center for all the information. Thanks for joining me, and I'll see you next
week. Announcer: This episode is brought to you
by Adorama TV. Visit the Adorama Learning Center where you'll find photography tips
and techniques, links to the gear used in this episode, and related videos.
For all
the latest photography, video, and computer gear visit adorama.Com. And the next time
you're in New York City visit our store located on 18th Street between 5th and 6th Avenue..
Wedding Plan it
Wedding Planner-Set Your Financial Plan
Wedding Plan it-All of the above should occur almost immediately. Once you square away these four foundations of your wedding, what follows will be estimated time frames for all of us to follow. Buy a thing, a hole punch and index tabs to collect and organize those information. This is the wedding program. Check it update it frequently.
It is your wedding. Within reason and the bounds of good taste you should have everything you want no matter who will cover a few of the expenses.
There are. Give them as much notice as you can they need to put aside the date to get you. If the wedding doesn't call for traveling and an over-night remain for guests, it is important to let them know that whenever possible. It will be useful for you to get early feedback on who may not have the ability to attend the marriage.
There are hundreds of details involved in planning the wedding and at getting through the wedding day.Your bridal party may be a enormous help in tackling these. Everything from RSVP tracking to picking up the blossoms can and must be delegated. Can every member of the bridal party manage a bridesmaid's dress or even a tuxedo? Is each member of the bridal party physically fit and mature enough to shoulder the duties involved? Be goal.
Instantly Upon Engagement Choose a Wedding Day
Select your theme. [contemporary, classic, classic, modern rural, modern, etc.]
Your funding is the single most significant wedding decision to make following the decision to get married. Consider the assortment of jobs you need or need to take on throughout the first year of marriage: honeymoon, purchase a house, start a family, begin or continue postsecondary education, buy a car, travel. Calculate the price of these jobs. The wedding prices and these jobs will probably compete. Figure out the amount of money you will have from all sources to your wedding along with your other projects. This can help determine the maximum quantity of cash you'll be able to spend on the wedding. By this calculation, all other spending choices about the wedding will follow. It is a bad idea to borrow some money from any source on the wedding.
First Review & Planning Session
|Immediately Upon Engagement Choose a Wedding Date
There are hundreds of details involved in planning the wedding and at obtaining throughout the wedding day.Your wedding celebration can be a massive aid in handling these. Everything from RSVP tracking to picking the flowers can and should be delegated. Can every member of the wedding celebration afford a lady's dress or a tuxedo? Is every part of the bridal party physically healthy and mature enough to bend the duties involved? Be objective.
First Review & Planning Session
There are. Give them as much notice as possible that they ought to set aside the date for you. If the wedding doesn't have traveling and an over-night stay for guests, it is important to allow them to know that whenever possible. It will be useful for you to receive early feedback on who may not have the ability to attend the marriage.
Your budget is your single most significant wedding choice to make after the decision to get married. Consider the assortment of projects you need or wish to take on throughout your first year of marriage: honeymoon, or buy a home, start a family, start or continue post-secondary education, purchase a car, travel. Figure out the price of those projects. The wedding costs and all these other projects will probably compete. Figure out the amount of money you will have from all sources to your wedding along with your other projects. This will help determine the maximum amount of money you'll be able to spend on the wedding. From this calculation, the rest of the spending decisions concerning the marriage will follow. It is a bad idea to borrow any money from any source for your wedding.
Select your bridal party.
All the above should occur almost immediately. When you square away these four foundations of your wedding, what follows will be estimated time frames for all to follow. Buy a thing, a hole punch and index tabs to collect & organize these details. Begin a spread sheet to track all expenditures. This is the wedding program. Check it update it frequently.
It is your wedding. Within reason as well as the boundaries of good taste you should have what you need no matter who will pay some of the expenses. Have faith in your own judgment and flavor.
Set Your Financial Plan
Choose your theme. [modern, classic, classic, modern rural, modern, etc..]|Set Your Financial Plan
All of the above should occur almost instantly. Once you square away these four foundations of your marriage, what follows are projected time frames for what to follow. Buy a binder, a hole punch and index tabs to collect and organize those information. This is your wedding program. Check it update it frequently.
There are hundreds of details involved with planning the wedding and at getting via the wedding day.Your bridal party may be a massive aid in handling these. Everything from RSVP monitoring to picking up the flowers can and should be delegated. Can each member of the wedding celebration manage a bridesmaid's dress or even a tuxedo? Is each member of the bridal party physically healthy and mature enough to bend the duties involved? Be goal.
Select your wedding celebration.
It's your marriage. Within reason as well as the bounds of good taste you need to have everything you need no matter who will cover a few of the expenses. Have faith in your own judgment and preference.
Your budget is the single most important wedding decision to make following the choice to become married itself. Consider the selection of projects you need or need to take on during your first year of marriage: honeymoon, or purchase a home, start a family, start or continue post-secondary education, purchase a car, travel. Figure out the cost of those jobs. All these jobs will be competed with by the wedding prices. Figure out the money you'll have from all sources to your wedding along with your other projects. This will help establish the maximum quantity of cash you'll be able to spend on your wedding. In this calculation, the rest of the spending choices about the wedding will soon follow. It's a bad idea to borrow any money from any source for the wedding.
Choose your theme. [contemporary, vintage, classic, modern rural, modern, etc.]
First Review & Planning Session
Immediately Upon Engagement Decide on a Wedding Day
There are. Give them as much notice as possible that they need to put aside the date to you. If the wedding doesn't involve traveling and an over-night stay for guests, it's important to allow them to know that as soon as possible. It'll be beneficial for you to get early feedback on who may not be able to attend the marriage.}
Wedding Etiquette hashtags
Wedding Etiquette Planning timeline-Set your budget
Wedding Etiquette hashtags-All the above should occur almost instantly. As soon as you square away these four bases of your marriage, what follows will be estimated time frames for what to follow. Purchase a thing, a hole punch and indicator tabs to collect and organize those details. Start a spread sheet to track all expenses. This is your Wedding Etiquette plan. Check it & update it often.
It is your Wedding Etiquette. Within reason and the boundaries of good taste you need to have what you need no matter who will pay a few of the expenses.
There are. Give them as much notice as possible that they ought to put aside the date to get you. If the Wedding Etiquette will have traveling and an over-night stay for guests, it's important to allow them to know that whenever possible. It'll be beneficial for you to get early feedback on who might not be able to attend the Wedding Etiquette.
There are hundreds of details involved in planning the Wedding Etiquette and at obtaining throughout the Wedding Etiquette day.Your bridal party may be a huge help in tackling these. Everything from RSVP tracking to picking up the blossoms can and must be assigned. Can every member of the bridal party afford a bridesmaid's dress or even a tuxedo? Is each member of the Wedding Etiquette celebration physically healthy and older enough to bend the responsibilities involved? Be goal.
Instantly Upon Engagement Decide on a Wedding Etiquette Date
Select your theme. [contemporary, vintage, classic, modern rural, contemporary, etc..]
Your funding is the single biggest Wedding Etiquette choice to make following the choice to become married. Think about the assortment of projects you need or need to take on throughout your first year of marriage: honeymoon, buy a house, start a family, begin or continue post-secondary education, purchase a car, journey. Calculate the price of those projects. The Wedding Etiquette costs and these endeavors will probably compete. Calculate the amount of money you will have from all sources for the Wedding Etiquette along with your other projects. This can help establish the maximum quantity of money you'll be able to spend on your marriage. In this calculation, the rest of the spending decisions about the marriage will soon follow. It is a bad idea to borrow some money from any source on your Wedding Etiquette.
First Review & Planning Session
|Instantly Upon Engagement Choose a Wedding Etiquette Date
There are hundreds of details involved with planning the Wedding Etiquette and at obtaining through the Wedding Etiquette day.Your Wedding Etiquette celebration may be a huge aid in handling these. Everything from RSVP monitoring to picking the blossoms can and must be assigned. Can each member of the bridal party manage a lady's dress or even a tuxedo? Is each part of the Wedding Etiquette celebration physically fit and mature enough to shoulder the duties involved? Be objective.
First Review & Planning Session
There are. Give them as much notice as you can that they should put aside the date for you. If the Wedding Etiquette doesn't have travel and an over-night remain for guests, it's important to let them know that whenever possible. It'll be useful for you to receive early feedback on who might not be able to attend the marriage.
Your budget is the single biggest Wedding Etiquette choice to make after the decision to become married. Think about the array of projects you need or want to take on through your first year of marriage: honeymoon, or buy a home, start a family, begin or continue postsecondary education, purchase a car, travel. Figure out the price of these projects. The Wedding Etiquette prices and all these other projects will compete. Calculate the amount of money you will have from all sources to your Wedding Etiquette and your other projects. This will help establish the most quantity of cash you'll be able to spend on the Wedding Etiquette. In this calculation, all other spending choices concerning the Wedding Etiquette will follow. It is a bad idea to borrow some money from any source for your Wedding Etiquette.
Select your bridal party.
All of the above should happen almost immediately. Once you square away these 4 bases of your marriage, what follows will be projected time frames for everything to follow. Purchase a thing, a hole punch and indicator tabs to collect and organize these details. Start a spread sheet to track all expenses. This is the Wedding Etiquette program. Test it update it often.
It is your Wedding Etiquette. Within reason and the boundaries of good taste you need to have everything you need no matter who will cover some of the expenses. Have faith in your own judgment and taste.
Set Your Financial Plan
Choose your theme. [modern, vintage, classic, modern rural, modern, etc..]|Establish Your Financial Plan
All of the above should occur almost immediately. As soon as you square away these 4 foundations of your marriage, what follows will be projected time frames for what to follow. Buy a binder, a hole punch and index tabs to collect and organize those information. Begin a spread sheet to track all expenses. This is your Wedding Etiquette program. Check it & update it often.
There are hundreds of details involved in planning the Wedding Etiquette and at getting through the Wedding Etiquette day.Your Wedding Etiquette celebration may be a massive help in handling these. Everything from RSVP tracking to picking the blossoms can and should be assigned. Can every member of the bridal party manage a bridesmaid's dress or a tuxedo? Is each part of the Wedding Etiquette celebration physically healthy and older enough to shoulder the responsibilities involved? Be goal.
Select your Wedding Etiquette celebration.
It is your marriage. Within reason and the bounds of good taste you should have what you need regardless of who will cover a few of the expenses.
Your financial plan is the single most significant Wedding Etiquette decision to make following the decision to get married. Think about the selection of projects you need or want to take on during the first year of marriage: honeymoon, purchase a house, start a family, begin or continue post-secondary education, buy a car, journey. Figure out the price of those projects. The Wedding Etiquette prices will compete with all these other jobs. Figure out the amount of money you will have from all sources for your Wedding Etiquette and your other projects. This will help establish the maximum amount of cash you can spend on the marriage. From this calculation, all spending decisions concerning the marriage will soon follow. It is a bad idea to borrow any money from any source for the Wedding Etiquette.
Choose your theme. [modern, vintage, classic, rural, contemporary, etc.]
Instantly Upon Engagement Choose a Wedding Etiquette Day
There are people you really want in your Wedding Etiquette. Give them as much notice as you can that they should put aside the date to you. If the Wedding Etiquette doesn't call travel and an over-night remain for guests, it's important to allow them to know that as soon as possible. It will be beneficial for you to receive early feedback on who may not be able to attend the Wedding Etiquette.}
what Wedding Planner
Wedding Planning timeline-Establish your budget
what Wedding Planner-All the above should happen almost instantly. When you square off these 4 bases of your marriage, what follows are projected time frames for all to follow. Buy a thing, a hole punch and index tabs to collect and organize these particulars. Start a spread sheet to track all expenditures. This is the wedding plan. Check it & update it frequently.
It's your marriage. Within reason and the bounds of good taste you need to have everything you want no matter who will pay some of the expenses. Have faith in your own judgment and preference.
There are. Give them as much notice as you can they need to put aside the date to you. If the wedding will call for travel and an over-night stay for guests, it is important to let them know that as soon as possible. It will be helpful for you to receive early feedback on who might not have the ability to attend the wedding.
There are hundreds of details involved with planning the wedding and at obtaining throughout the wedding day.Your wedding celebration can be a massive help in handling these. Everything from RSVP tracking to picking up the flowers can and must be delegated. Can each member of the bridal party manage a bridesmaid's dress or even a tuxedo? Is each member of the bridal party physically healthy and older enough to bend the responsibilities involved? Be goal.
Immediately Upon Engagement Decide on a Wedding Date
Choose your theme. [contemporary, vintage, classic, modern rural, contemporary, etc..]
Your financial plan is the single most important wedding choice to make following the choice to become married. Think about the assortment of jobs you need or wish to take on during the first year of marriage: honeymoon, buy a home, start a family, begin or continue postsecondary education, buy a car, travel. Figure out the cost of those projects. These projects will be competed with by the wedding costs. Figure out the money you'll have from all sources to the wedding along with your other endeavors. This will help determine the maximum quantity of money you can spend on the marriage. By this calculation, all other spending choices about the wedding will accompany. It is a terrible idea to borrow some money from any source for your wedding.
|Instantly Upon Engagement Decide on a Wedding Date
There are hundreds of details involved in planning the wedding and at getting via the wedding day.Your bridal party may be a huge aid in tackling these. Everything from RSVP tracking to picking the flowers can and should be assigned. Can every member of the bridal party manage a lady's dress or a tuxedo? Is every member of the bridal party physically fit and mature enough to bend the responsibilities involved? Be objective.
There are people you want in your own wedding. Give them as much notice as you can they should set aside the date for you. If the wedding will have travel and an over-night stay for guests, it is important to let them know that whenever possible. It'll be beneficial for you to get early feedback on who may not have the ability to attend the wedding.
Your financial plan is the single biggest wedding decision to make following the decision to get married itself. Think about the assortment of projects you need or would like to take on during the first year of marriage: honeymoon, or buy a house, start a family, start or continue post-secondary education, buy a car, travel. Figure out the price of these jobs. The wedding prices will probably compete with all these projects. Figure out the money you will have from all sources to the wedding along with your other endeavors. This can help establish the most amount of cash you can spend on your marriage. In this calculation, all spending choices concerning the marriage will soon follow. It's a terrible idea to borrow any money from any source for the wedding.
Select your bridal party.
All the above should happen almost instantly. When you square off these four foundations of your wedding, what follows will be estimated time frames for all of us to follow. Purchase a nut, a hole punch and indicator tabs to collect & organize these particulars. This is your wedding plan. Check it update it frequently.
It's your marriage. Within reason and the bounds of good taste you need to have everything you need no matter who will cover a few of the expenses. Have faith in your own judgment and taste.
Set Your Financial Plan
Choose your theme. [contemporary, vintage, classic, rural, contemporary, etc..]|Establish Your Financial Plan
All of the above should happen almost instantly. As soon as you square away these 4 bases of your wedding, what follows are projected time frames for everything to follow. Purchase a thing, a hole punch and indicator tabs to collect & organize these specifics. Start a spread sheet to track all expenses. This is the wedding plan. Check it update it frequently.
There are hundreds of details involved with planning the wedding and in obtaining during the wedding day.Your bridal party can be a massive aid in handling these. Everything from RSVP monitoring to picking the flowers can and must be assigned. Can every member of the wedding celebration manage a lady's dress or even a tuxedo? Is each part of the bridal party physically healthy and mature enough to bend the responsibilities involved? Be goal.
Select your bridal party.
It is your wedding. Within reason and the boundaries of good taste you need to have everything you need regardless of who will pay some of the expenses. Have faith in your own judgment and flavor.
Your funding is the single most important wedding decision to make after the decision to become married. Think about the selection of jobs you need or would like to take on during your first year of marriage: honeymoon, buy a home, start a family, begin or continue postsecondary education, purchase a car, journey. Calculate the cost of these jobs. The wedding prices will probably compete with these projects. Figure out the amount of money you'll have from all sources for the wedding along with your other endeavors. This will help determine the most amount of cash you'll be able to spend on your wedding. By this calculation, the rest of the spending decisions about the wedding will follow. It is a terrible idea to borrow some money from any source on the wedding.
Choose your theme. [modern, vintage, classic, modern rural, modern, etc.]
Instantly Upon Engagement Decide on a Wedding Day
There are. Give them as much notice as you can that they need to set aside the date for you. If the wedding will have traveling and an over-night remain for guests, it's important to let them know that as soon as possible. It'll be beneficial for you to get early feedback on who might not be able to attend the marriage.}
g & r Wedding Etiquettes
Wedding Etiquette Planning checklist-Establish Your Financial Plan
g & r Wedding Etiquettes-All of the above should happen almost immediately. Once you square away these four foundations of your marriage, what follows are projected time frames for all to follow. Purchase a nut, a hole punch and indicator tabs to collect & organize these information. This is the Wedding Etiquette plan. Test it & update it often.
It's your marriage. Within reason as well as the boundaries of good taste you need to have what you need regardless of who will cover some of the expenses. Have faith in your own judgment and taste.
There are. Give them as much notice as possible that they need to put aside the date to get you. If the Wedding Etiquette will involve traveling and an over-night remain for guests, it is important to let them know that whenever possible. It will be beneficial for you to get early feedback on who might not have the ability to attend the marriage.
There are hundreds of details involved in planning the Wedding Etiquette and at getting via the Wedding Etiquette day.Your bridal party can be a massive help in handling these. Everything from RSVP monitoring to picking the blossoms can and should be assigned. Can every member of the bridal party afford a lady's dress or a tuxedo? Is each part of the bridal party physically fit and older enough to bend the duties involved? Be goal.
Instantly Upon Engagement Choose a Wedding Etiquette Day
Choose your theme. [modern, vintage, classic, modern rural, contemporary, etc..]
Your budget is your single most significant Wedding Etiquette choice to make following the decision to get married. Think about the range of jobs you need or wish to take on through the first year of marriage: honeymoon, purchase a home, start a family, begin or continue post-secondary education, purchase a car, journey. Figure out the cost of those projects. All these jobs will be competed with by the Wedding Etiquette prices. Calculate the money you will have from all sources to your Wedding Etiquette along with your other endeavors. This can help establish the most amount of money you can spend on your marriage. By this calculation, all other spending decisions about the marriage will soon follow. It is a terrible idea to borrow some money from any source for the Wedding Etiquette.
First Review & Planning Session
|Immediately Upon Engagement Decide on a Wedding Etiquette Date
There are hundreds of details involved in planning the Wedding Etiquette and in obtaining during the Wedding Etiquette day.Your Wedding Etiquette celebration may be a huge help in tackling these. Everything from RSVP tracking to picking up the blossoms can and should be assigned. Can every member of the Wedding Etiquette celebration manage a lady's dress or even a tuxedo? Is each member of the Wedding Etiquette celebration physically fit and older enough to bend the duties involved? Be goal.
First Review & Planning Session
There are people you really want in your own Wedding Etiquette. Give them as much notice as you can they ought to put aside the date for you. If the Wedding Etiquette will call for traveling and an over-night stay for guests, it's important to allow them to know that whenever possible. It'll be useful for you to get early feedback on who may not be able to attend the Wedding Etiquette.
Your financial plan is your single biggest Wedding Etiquette decision to make following the choice to become married itself. Think about the range of jobs you need or wish to take on during your first year of marriage: honeymoon, or buy a home, start a family, start or continue postsecondary education, buy a car, travel. Figure out the cost of these projects. The Wedding Etiquette costs will compete with all these projects. Calculate the money you will have from all sources to the Wedding Etiquette and your other projects. This will help determine the most quantity of money you can spend on your Wedding Etiquette. From this calculation, all spending decisions concerning the marriage will soon follow. It is a bad idea to borrow any money from any source on your Wedding Etiquette.
Select your Wedding Etiquette celebration.
All of the above should occur almost instantly. Once you square off these four foundations of your Wedding Etiquette, what follows will be projected time frames for everything to follow. Purchase a thing, a hole punch and index tabs to collect and organize those details. This is the Wedding Etiquette plan. Test it update it frequently.
It is your Wedding Etiquette. Within reason and the bounds of good taste you need to have everything you want no matter who will cover a few of the expenses.
Set your budget
Choose your theme. [contemporary, vintage, classic, modern rural, contemporary, etc.]|Set your budget
All of the above should happen almost immediately. Once you square away these 4 foundations of your marriage, what follows will be projected time frames for all to follow. Buy a binder, a hole punch and indicator tabs to collect and organize those specifics. Begin a spread sheet to track all costs. This is your Wedding Etiquette plan. Check it & update it often.
There are hundreds of details involved with planning the Wedding Etiquette and at getting throughout the Wedding Etiquette day.Your Wedding Etiquette celebration may be a enormous aid in handling these. Everything from RSVP tracking to picking up the blossoms can and should be delegated. Can each member of the bridal party manage a lady's dress or even a tuxedo? Is each part of the Wedding Etiquette celebration physically healthy and mature enough to shoulder the duties involved? Be goal.
Select your Wedding Etiquette celebration.
It's your Wedding Etiquette. Within reason and the bounds of good taste you should have what you want no matter who will cover some of the expenses. Have faith in your own judgment and preference.
Your budget is the single most significant Wedding Etiquette choice to make after the choice to become married itself. Think about the range of projects you need or would like to take on throughout your first year of marriage: honeymoon, or purchase a house, start a family, begin or continue postsecondary education, purchase a car, travel. Figure out the cost of those projects. The Wedding Etiquette prices will compete with all these other endeavors. Calculate the money you will have from all sources to the Wedding Etiquette along with your other projects. This can help determine the maximum quantity of cash you can spend on your Wedding Etiquette. In this calculation, all other spending decisions concerning the marriage will soon follow. It's a terrible idea to borrow any money from any source for your Wedding Etiquette.
Choose your theme. [contemporary, vintage, classic, modern rural, contemporary, etc.]
Instantly Upon Engagement Choose a Wedding Etiquette Date
There are. Give them as much notice as possible they ought to put aside the date to you. If the Wedding Etiquette doesn't require traveling and an over-night remain for guests, it's important to allow them to know that whenever possible. It will be helpful for you to get early feedback on who may not be able to attend the Wedding Etiquette.}
Wedding Party hiring
Wedding Planner-Set your budget
Wedding Party hiring-All of the above should happen almost immediately. As soon as you square away these four bases of your wedding, what follows will be estimated time frames for all to follow. Purchase a nut, a hole punch and indicator tabs to collect and organize those particulars. This is your wedding program. Test it update it often.
It is your wedding. Within reason and the bounds of good taste you should have what you want regardless of who will cover a few of the expenses.
There are people you want in your wedding. Give them as much notice as you can that they should put aside the date to you. If the wedding doesn't require travel and an over-night remain for guests, it's important to let them know that whenever possible. It'll be helpful for you to get early feedback on who may not be able to attend the marriage.
There are hundreds of details involved in planning the wedding and at getting throughout the wedding day.Your bridal party may be a enormous help in handling these. Everything from RSVP monitoring to picking up the blossoms can and should be assigned. Can each member of the bridal party afford a lady's dress or a tuxedo? Is every part of the bridal party physically fit and mature enough to shoulder the responsibilities involved? Be goal.
Instantly Upon Engagement Choose a Wedding Day
Choose your theme. [modern, vintage, classic, modern rural, modern, etc..]
Your budget is your single biggest wedding decision to make after the decision to get married itself. Consider the assortment of projects you need or would like to take on throughout your first year of marriage: honeymoon, or buy a house, start a family, begin or continue post-secondary education, purchase a car, travel. Calculate the price of these projects. These projects will be competed with by the wedding prices. Calculate the amount of money you'll have from all sources to the wedding and your other projects. This will help establish the maximum quantity of cash you can spend on the wedding. In this calculation, all spending decisions about the marriage will soon follow. It is a bad idea to borrow any money from any source on the wedding.
|Instantly Upon Engagement Decide on a Wedding Date
There are hundreds of details involved with planning the wedding and at obtaining through the wedding day.Your wedding celebration can be a massive help in handling these. Everything from RSVP monitoring to picking up the blossoms can and must be assigned. Can every member of the bridal party manage a lady's dress or a tuxedo? Is each member of the wedding celebration physically fit and mature enough to shoulder the responsibilities involved? Be objective.
There are people you want in your wedding. Give them as much notice as possible that they ought to put aside the date to you. If the wedding will call for traveling and an over-night remain for guests, it is important to let them know that as soon as possible. It will be useful for you to get early feedback on who might not be able to attend the wedding.
Your budget is your single biggest wedding decision to make after the choice to get married itself. Think about the assortment of jobs you need or wish to take on throughout the first year of marriage: honeymoon, buy a home, start a family, begin or continue post-secondary education, buy a car, travel. Calculate the price of those jobs. The wedding costs and these other jobs will probably compete. Figure out the amount of money you'll have from all sources to your wedding and your other projects. This will help establish the maximum quantity of money you'll be able to spend on the wedding. In this calculation, the rest of the spending choices concerning the wedding will accompany. It's a bad idea to borrow some money from any source on your wedding.
Select your wedding celebration.
All of the above should occur almost instantly. As soon as you square away these 4 bases of your wedding, what follows are projected time frames for all to follow. Buy a thing, a hole punch and index tabs to collect and organize those particulars. Begin a spread sheet to track all expenditures. This is the wedding program. Test it & update it frequently.
It is your wedding. Within reason and the boundaries of good taste you should have what you want regardless of who will pay some of the expenses.
Set your budget
Choose your theme. [modern, vintage, classic, modern rural, modern, etc..]|Set Your Financial Plan
All the above should happen almost instantly. Once you square off these 4 bases of your wedding, what follows are projected time frames for what to follow. Purchase a binder, a hole punch and indicator tabs to collect and organize those specifics. This is the wedding program. Test it update it frequently.
There are hundreds of details involved in planning the wedding and in getting throughout the wedding day.Your bridal party can be a huge aid in handling these. Everything from RSVP monitoring to picking the flowers can and should be delegated. Can every member of the bridal party manage a lady's dress or a tuxedo? Is every member of the bridal party physically fit and mature enough to bend the responsibilities involved? Be objective.
Select your wedding celebration.
It is your marriage. Within reason and the boundaries of good taste you should have what you want regardless of who will cover some of the expenses. Have faith in your own judgment and taste.
Your budget is the single most significant wedding decision to make following the decision to become married itself. Think about the range of jobs you need or need to take on through your first year of marriage: honeymoon, or purchase a house, start a family, begin or continue postsecondary education, buy a car, travel. Calculate the cost of these jobs. The wedding costs and these endeavors will compete. Calculate the money you'll have from all sources to the wedding along with your other projects. This will help establish the maximum quantity of cash you can spend on your wedding. By this calculation, the rest of the spending decisions concerning the wedding will accompany. It's a bad idea to borrow any money from any source on the wedding.
Choose your theme. [contemporary, vintage, classic, rural, contemporary, etc..]
Immediately Upon Engagement Decide on a Wedding Day
There are. Give them as much notice as you can that they ought to put aside the date to get you. If the wedding doesn't call for traveling and an over-night remain for guests, it's important to let them know that whenever possible. It will be beneficial for you to get early feedback on who may not have the ability to attend the wedding.}
how much are Wedding Planners uk
Wedding Planning timeline-Set Your Financial Plan
how much are Wedding Planners uk-All the above should happen almost immediately. As soon as you square off these four bases of your wedding, what follows are estimated time frames for all of us to follow. Buy a binder, a hole punch and indicator tabs to collect and organize these details. This is the wedding plan. Test it & update it frequently.
It's your marriage. Within reason as well as the bounds of good taste you need to have what you want regardless of who will cover some of the expenses.
There are people you want at your own wedding. Give them as much notice as you can they ought to set aside the date to you. If the wedding will require traveling and an over-night remain for guests, it's important to allow them to know that as soon as possible. It will be beneficial for you to get early feedback on who may not be able to attend the wedding.
There are hundreds of details involved in planning the wedding and at getting through the wedding day.Your wedding celebration may be a enormous help in handling these. Everything from RSVP monitoring to picking the flowers can and must be delegated. Can each member of the wedding celebration afford a lady's dress or a tuxedo? Is every member of the wedding celebration physically fit and older enough to bend the responsibilities involved? Be objective.
Instantly Upon Engagement Choose a Wedding Day
Choose your theme. [contemporary, vintage, classic, modern rural, contemporary, etc..]
Your funding is the single biggest wedding decision to make following the decision to become married. Think about the range of projects you need or wish to take on throughout your first year of marriage: honeymoon, or purchase a home, start a family, start or continue postsecondary education, purchase a car, travel. Calculate the price of these projects. The wedding costs will probably compete with these jobs. Figure out the amount of money you'll have from all sources to the wedding along with your other projects. This can help establish the maximum amount of cash you'll be able to spend on your marriage. By this calculation, all other spending choices about the wedding will follow. It's a terrible idea to borrow some money from any source on the wedding.
First Review & Planning Session
|Immediately Upon Engagement Decide on a Wedding Day
There are hundreds of details involved in planning the wedding and at obtaining through the wedding day.Your bridal party may be a enormous help in tackling these. Everything from RSVP monitoring to picking the flowers can and should be assigned. Can every member of the wedding celebration afford a bridesmaid's dress or a tuxedo? Is each member of the wedding celebration physically fit and older enough to bend the duties involved? Be goal.
First Review & Planning Session
There are people you truly want in your own wedding. Give them as much notice as you can that they ought to set aside the date for you. If the wedding doesn't have travel and an over-night stay for guests, it's important to let them know that whenever possible. It'll be helpful for you to get early feedback on who might not have the ability to attend the wedding.
Your financial plan is your single most important wedding choice to make following the decision to become married itself. Think about the assortment of jobs you need or want to take on during your first year of marriage: honeymoon, buy a house, start a family, begin or continue post-secondary education, purchase a car, journey. Figure out the price of those projects. These jobs will be competed with by the wedding costs. Calculate the amount of money you will have from all sources to your wedding and your other endeavors. This will help determine the most amount of money you'll be able to spend on the marriage. By this calculation, all spending choices about the wedding will soon follow. It's a bad idea to borrow any money from any source for the wedding.
Select your bridal party.
All of the above should occur almost instantly. When you square away these 4 bases of your wedding, what follows will be projected time frames for all to follow. Buy a nut, a hole punch and index tabs to collect & organize those information. This is the wedding program. Test it & update it frequently.
It is your wedding. Within reason as well as the bounds of good taste you should have what you want no matter who will pay some of the expenses.
Establish your budget
Select your theme. [contemporary, vintage, classic, rural, contemporary, etc..]|Set Your Financial Plan
All of the above should happen almost immediately. Once you square away these 4 foundations of your wedding, what follows will be projected time frames for all to follow. Purchase a binder, a hole punch and indicator tabs to collect & organize these details. This is your wedding program. Test it update it frequently.
There are hundreds of details involved with planning the wedding and at obtaining via the wedding day.Your wedding celebration may be a massive aid in handling these. Everything from RSVP monitoring to picking the flowers can and must be assigned. Can every member of the bridal party afford a bridesmaid's dress or even a tuxedo? Is each part of the wedding celebration physically fit and mature enough to shoulder the duties involved? Be goal.
Select your bridal party.
It is your marriage. Within reason as well as the boundaries of good taste you need to have what you need no matter who will cover some of the expenses.
Your budget is the single most significant wedding choice to make after the decision to get married itself. Think about the array of projects you need or need to take on throughout your first year of marriage: honeymoon, purchase a house, start a family, begin or continue postsecondary education, buy a car, travel. Calculate the price of those projects. The wedding prices will compete with all these jobs. Figure out the amount of money you'll have from all sources to the wedding along with your other projects. This will help determine the most amount of cash you'll be able to spend on the wedding. From this calculation, the rest of the spending choices concerning the marriage will follow. It's a bad idea to borrow any money from any source for the wedding.
Choose your theme. [modern, vintage, classic, rural, modern, etc..]
Immediately Upon Engagement Choose a Wedding Date
There are. Give them as much notice as you can they should put aside the date to you. If the wedding will involve traveling and an over-night remain for guests, it is important to let them know that as soon as possible. It'll be useful for you to receive early feedback on who may not have the ability to attend the marriage.}
Wedding Plan ppt
Wedding Planner-Establish Your Financial Plan
Wedding Plan ppt-All the above should occur almost instantly. When you square off these four bases of your wedding, what follows will be projected time frames for all of us to follow. Purchase a thing, a hole punch and index tabs to collect and organize these information. This is your wedding program. Check it & update it frequently.
It is your marriage. Within reason as well as the bounds of good taste you should have what you need no matter who will pay some of the expenses. Have faith in your own judgment and taste.
There are people you want at your wedding. Give them as much notice as you can that they should set aside the date for you. If the wedding doesn't involve traveling and an over-night stay for guests, it is important to allow them to know that as soon as possible. It will be helpful for you to receive early feedback on who may not be able to attend the marriage.
There are hundreds of details involved with planning the wedding and at getting through the wedding day.Your wedding celebration can be a huge help in handling these. Everything from RSVP monitoring to picking the flowers can and must be assigned. Can every member of the wedding celebration afford a lady's dress or a tuxedo? Is each member of the bridal party physically fit and older enough to bend the duties involved? Be objective.
Instantly Upon Engagement Decide on a Wedding Day
Select your theme. [contemporary, vintage, classic, modern rural, modern, etc..]
Your budget is the single most significant wedding decision to make following the choice to become married. Think about the assortment of jobs you need or wish to take on throughout your first year of marriage: honeymoon, purchase a house, start a family, begin or continue post-secondary education, purchase a car, travel. Calculate the price of those projects. The wedding costs will compete with these projects. Calculate the money you will have from all sources for the wedding along with your other projects. This will help establish the most amount of money you can spend on the marriage. From this calculation, all spending decisions about the marriage will accompany. It's a bad idea to borrow some money from any source for your wedding.
|Immediately Upon Engagement Decide on a Wedding Day
There are hundreds of details involved with planning the wedding and at obtaining through the wedding day.Your wedding celebration can be a huge help in handling these. Everything from RSVP monitoring to picking up the flowers can and should be assigned. Can each member of the bridal party afford a lady's dress or even a tuxedo? Is every member of the bridal party physically fit and mature enough to bend the responsibilities involved? Be goal.
First Review & Planning Session
There are people you want in your own wedding. Give them as much notice as you can they should put aside the date to you. If the wedding doesn't require travel and an over-night remain for guests, it's important to let them know that as soon as possible. It will be useful for you to get early feedback on who may not be able to attend the wedding.
Your funding is your single most important wedding decision to make following the decision to get married. Think about the array of projects you need or wish to take on throughout your first year of marriage: honeymoon, or purchase a home, start a family, begin or continue post-secondary education, purchase a car, travel. Figure out the cost of these projects. All these projects will be competed with by the wedding costs. Figure out the money you will have from all sources for your wedding along with your other endeavors. This will help determine the most quantity of money you'll be able to spend on your wedding. In this calculation, the rest of the spending decisions concerning the marriage will accompany. It is a bad idea to borrow some money from any source on your wedding.
Select your bridal party.
All the above should occur almost instantly. As soon as you square off these four bases of your marriage, what follows are projected time frames for what to follow. Purchase a thing, a hole punch and index tabs to collect & organize these specifics. Begin a spread sheet to track all costs. This is the wedding plan. Test it & update it often.
It's your marriage. Within reason as well as the bounds of good taste you need to have everything you need no matter who will cover a few of the expenses.
Establish your budget
Choose your theme. [modern, classic, classic, rural, modern, etc..]|Establish your budget
All the above should happen almost instantly. When you square away these four foundations of your marriage, what follows are estimated time frames for what to follow. Purchase a binder, a hole punch and index tabs to collect & organize these information. This is the wedding plan. Test it update it frequently.
There are hundreds of details involved with planning the wedding and in obtaining through the wedding day.Your bridal party may be a huge help in tackling these. Everything from RSVP monitoring to picking up the blossoms can and should be assigned. Can each member of the wedding celebration afford a bridesmaid's dress or even a tuxedo? Is each part of the bridal party physically healthy and mature enough to shoulder the responsibilities involved? Be objective.
Select your wedding celebration.
It's your marriage. Within reason as well as the boundaries of good taste you need to have everything you need regardless of who will cover some of the expenses.
Your budget is your single most significant wedding decision to make after the decision to get married itself. Think about the array of jobs you need or want to take on through the first year of marriage: honeymoon, or purchase a home, start a family, begin or continue postsecondary education, purchase a car, journey. Figure out the price of these jobs. The wedding costs will compete with these projects. Calculate the money you will have from all sources to the wedding and your other endeavors. This will help determine the maximum quantity of money you can spend on your wedding. In this calculation, all spending decisions concerning the marriage will follow. It's a terrible idea to borrow any money from any source for the wedding.
Choose your theme. [contemporary, vintage, classic, modern rural, modern, etc..]
Immediately Upon Engagement Decide on a Wedding Date
There are. Give them as much notice as you can that they need to set aside the date to you. If the wedding doesn't require travel and an over-night remain for guests, it's important to allow them to know that whenever possible. It will be useful for you to receive early feedback on who may not be able to attend the wedding.}
j^us Wedding Etiquette
Wedding Etiquette Planning checklist-Set your budget
j^us Wedding Etiquette-All of the above should occur almost instantly. As soon as you square off these four bases of your Wedding Etiquette, what follows are estimated time frames for all to follow. Buy a thing, a hole punch and index tabs to collect & organize these information. Start a spread sheet to track all costs. This is your Wedding Etiquette program. Test it & update it frequently.
It is your Wedding Etiquette. Within reason and the boundaries of good taste you should have everything you need regardless of who will pay some of the expenses. Have faith in your own judgment and taste.
There are people you truly want in your Wedding Etiquette. Give them as much notice as you can they should put aside the date for you. If the Wedding Etiquette doesn't have travel and an over-night stay for guests, it is important to allow them to know that as soon as possible. It'll be beneficial for you to get early feedback on who may not have the ability to attend the Wedding Etiquette.
There are hundreds of details involved in planning the Wedding Etiquette and in getting throughout the Wedding Etiquette day.Your Wedding Etiquette celebration may be a huge aid in handling these. Everything from RSVP tracking to picking up the flowers can and must be delegated. Can each member of the bridal party manage a lady's dress or even a tuxedo? Is each member of the bridal party physically fit and older enough to shoulder the duties involved? Be objective.
Instantly Upon Engagement Decide on a Wedding Etiquette Date
Select your theme. [contemporary, vintage, classic, modern rural, modern, etc.]
Your funding is your single most important Wedding Etiquette choice to make after the choice to get married itself. Consider the selection of projects you need or wish to take on during the first year of marriage: honeymoon, buy a house, start a family, begin or continue post-secondary education, purchase a car, journey. Figure out the price of these projects. These endeavors will be competed with by the Wedding Etiquette costs. Calculate the amount of money you'll have from all sources to the Wedding Etiquette and your other endeavors. This can help establish the most amount of cash you can spend on your marriage. In this calculation, all spending choices concerning the marriage will soon follow. It's a terrible idea to borrow any money from any source on your Wedding Etiquette.
First Review & Planning Session
|Instantly Upon Engagement Choose a Wedding Etiquette Date
There are hundreds of details involved with planning the Wedding Etiquette and at getting throughout the Wedding Etiquette day.Your bridal party can be a huge aid in tackling these. Everything from RSVP tracking to picking the flowers can and should be assigned. Can each member of the bridal party manage a lady's dress or even a tuxedo? Is every member of the bridal party physically healthy and mature enough to bend the duties involved? Be goal.
There are people you want at your own Wedding Etiquette. Give them as much notice as possible that they need to set aside the date to you. If the Wedding Etiquette will have traveling and an over-night stay for guests, it is important to allow them to know that whenever possible. It will be helpful for you to get early feedback on who might not be able to attend the marriage.
Your financial plan is the single biggest Wedding Etiquette choice to make following the choice to become married itself. Consider the assortment of jobs you need or want to take on through the first year of marriage: honeymoon, purchase a house, start a family, start or continue postsecondary education, purchase a car, travel. Figure out the cost of those jobs. These endeavors will be competed with by the Wedding Etiquette costs. Figure out the amount of money you will have from all sources to your Wedding Etiquette along with your other endeavors. This will help establish the most amount of money you'll be able to spend on your Wedding Etiquette. In this calculation, all other spending choices about the marriage will follow. It's a bad idea to borrow some money from any source for your Wedding Etiquette.
Select your Wedding Etiquette celebration.
All the above should occur almost instantly. When you square away these four foundations of your marriage, what follows are estimated time frames for everything to follow. Purchase a thing, a hole punch and index tabs to collect & organize those particulars. This is the Wedding Etiquette program. Check it & update it frequently.
It is your marriage. Within reason as well as the bounds of good taste you should have what you need regardless of who will cover some of the expenses. Have faith in your own judgment and flavor.
Set Your Financial Plan
Select your theme. [modern, vintage, classic, rural, modern, etc..]|Set Your Financial Plan
All the above should happen almost immediately. Once you square off these four bases of your Wedding Etiquette, what follows will be projected time frames for all of us to follow. Purchase a binder, a hole punch and indicator tabs to collect & organize those details. Begin a spread sheet to track all expenses. This is the Wedding Etiquette program. Test it & update it frequently.
There are hundreds of details involved in planning the Wedding Etiquette and at getting during the Wedding Etiquette day.Your Wedding Etiquette celebration may be a huge aid in handling these. Everything from RSVP tracking to picking the blossoms can and must be assigned. Can each member of the bridal party afford a bridesmaid's dress or even a tuxedo? Is each member of the Wedding Etiquette celebration physically fit and older enough to bend the responsibilities involved? Be objective.
Select your bridal party.
It is your Wedding Etiquette. Within reason as well as the boundaries of good taste you should have everything you want no matter who will pay a few of the expenses. Have faith in your own judgment and flavor.
Your financial plan is your single most important Wedding Etiquette decision to make after the choice to become married. Think about the range of jobs you need or would like to take on throughout the first year of marriage: honeymoon, or purchase a house, start a family, start or continue postsecondary education, buy a car, journey. Figure out the price of those jobs. The Wedding Etiquette costs and these jobs will probably compete. Figure out the amount of money you will have from all sources for your Wedding Etiquette along with your other endeavors. This can help determine the most quantity of cash you can spend on the Wedding Etiquette. By this calculation, the rest of the spending choices about the Wedding Etiquette will accompany. It is a terrible idea to borrow any money from any source on the Wedding Etiquette.
Choose your theme. [contemporary, vintage, classic, rural, contemporary, etc..]
First Review & Planning Session
Instantly Upon Engagement Choose a Wedding Etiquette Day
There are. Give them as much notice as possible they need to set aside the date to you. If the Wedding Etiquette will call traveling and an over-night stay for guests, it is important to let them know that as soon as possible. It'll be beneficial for you to receive early feedback on who might not be able to attend the marriage.}
Wedding Plan checklist download
Wedding Planning checklist-Set your budget
Wedding Plan checklist download-All the above should occur almost immediately. As soon as you square away these 4 bases of your wedding, what follows will be projected time frames for all of us to follow. Buy a thing, a hole punch and indicator tabs to collect & organize those information. Start a spread sheet to track all costs. This is the wedding program. Check it update it often.
It is your wedding. Within reason and the bounds of good taste you should have everything you need regardless of who will cover some of the expenses.
There are people you want at your own wedding. Give them as much notice as you can that they should put aside the date for you. If the wedding doesn't involve traveling and an over-night stay for guests, it is important to allow them to know that as soon as possible. It'll be helpful for you to get early feedback on who might not have the ability to attend the marriage.
There are hundreds of details involved in planning the wedding and at getting throughout the wedding day.Your bridal party may be a enormous aid in tackling these. Everything from RSVP tracking to picking the flowers can and must be assigned. Can each member of the wedding celebration afford a lady's dress or a tuxedo? Is every member of the wedding celebration physically fit and mature enough to shoulder the duties involved? Be goal.
Immediately Upon Engagement Choose a Wedding Date
Select your theme. [contemporary, vintage, classic, rural, modern, etc..]
Your budget is your single most important wedding decision to make following the decision to become married itself. Think about the range of jobs you need or wish to take on throughout the first year of marriage: honeymoon, buy a home, start a family, start or continue postsecondary education, purchase a car, travel. Figure out the price of those jobs. The wedding prices and all these endeavors will probably compete. Calculate the amount of money you'll have from all sources to the wedding along with your other endeavors. This will help determine the most amount of cash you can spend on your marriage. From this calculation, all spending decisions about the marriage will accompany. It's a terrible idea to borrow some money from any source for your wedding.
|Immediately Upon Engagement Decide on a Wedding Day
There are hundreds of details involved with planning the wedding and in obtaining through the wedding day.Your bridal party can be a huge help in handling these. Everything from RSVP monitoring to picking up the flowers can and must be delegated. Can each member of the wedding celebration manage a lady's dress or even a tuxedo? Is every member of the bridal party physically healthy and mature enough to shoulder the responsibilities involved? Be goal.
First Review & Planning Session
There are people you truly want at your wedding. Give them as much notice as possible that they ought to set aside the date to you. If the wedding doesn't have traveling and an over-night stay for guests, it is important to allow them to know that as soon as possible. It'll be helpful for you to get early feedback on who might not be able to attend the wedding.
Your financial plan is your single most significant wedding choice to make following the choice to get married itself. Think about the selection of projects you need or would like to take on through your first year of marriage: honeymoon, or buy a house, start a family, start or continue postsecondary education, buy a car, journey. Figure out the price of these jobs. The wedding prices will compete with these other jobs. Calculate the money you'll have from all sources to your wedding along with your other endeavors. This can help determine the maximum amount of money you'll be able to spend on your marriage. In this calculation, all spending decisions about the marriage will accompany. It's a bad idea to borrow some money from any source on the wedding.
Select your wedding celebration.
All the above should occur almost immediately. Once you square off these four bases of your marriage, what follows are estimated time frames for everything to follow. Buy a nut, a hole punch and index tabs to collect & organize these particulars. This is the wedding plan. Test it & update it frequently.
It's your wedding. Within reason and the bounds of good taste you should have what you want regardless of who will cover a few of the expenses.
Set Your Financial Plan
Choose your theme. [modern, vintage, classic, rural, modern, etc..]|Establish your budget
All of the above should occur almost instantly. Once you square off these four foundations of your marriage, what follows are estimated time frames for all to follow. Purchase a nut, a hole punch and indicator tabs to collect & organize these particulars. Begin a spread sheet to track all expenditures. This is your wedding plan. Check it & update it often.
There are hundreds of details involved in planning the wedding and in getting through the wedding day.Your wedding celebration may be a massive aid in tackling these. Everything from RSVP tracking to picking up the blossoms can and must be delegated. Can each member of the bridal party afford a bridesmaid's dress or even a tuxedo? Is every member of the bridal party physically fit and mature enough to shoulder the responsibilities involved? Be goal.
Select your wedding celebration.
It is your wedding. Within reason as well as the bounds of good taste you should have what you want regardless of who will cover some of the expenses. Have faith in your own judgment and preference.
Your budget is your single most important wedding decision to make after the choice to become married. Consider the range of jobs you need or would like to take on through your first year of marriage: honeymoon, or purchase a home, start a family, begin or continue post-secondary education, buy a car, journey. Calculate the cost of those projects. The wedding prices and these other projects will compete. Calculate the amount of money you'll have from all sources for the wedding along with your other endeavors. This can help establish the most quantity of money you'll be able to spend on your wedding. By this calculation, the rest of the spending choices about the marriage will accompany. It is a bad idea to borrow any money from any source on the wedding.
Select your theme. [modern, classic, classic, modern rural, modern, etc..]
Immediately Upon Engagement Choose a Wedding Date
There are people you want at your wedding. Give them as much notice as possible that they ought to set aside the date to get you. If the wedding doesn't require travel and an over-night stay for guests, it's important to let them know that whenever possible. It will be useful for you to get early feedback on who might not have the ability to attend the marriage.}
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